Primed

Introversion   5 X 5 ft  oil on canvas

The definition of introversion that works best for me is this: despite the fact that I love people, the energy I expend in talking to and being with them is limited and does not get refilled until I am alone and pursuing other goals. Usually all that is necessary to recharge my battery is a quick nap or an hour in the garden.  But recently I feel like I've been zapped, drained, depleted.  It's as if I need to "prime the pump," pull out the choke and flood my engine.... something to push me over the red line.  Nothing is wrong in my life.... nothing. In fact, seeking to find a "reason" is self-indulgent and narcissistic and doesn't help one little bit. Have you ever tried to water a houseplant when its soil has gotten completely dry?  The water runs right through the soil into the saucer.  It seems contradictory, but to get dry soil to absorb water you have to moisten the soil first.   I feel just like that.... my soil has gone too dry and all the good things in my life seem to flow right through me without being absorbed.  And I don't know what is needed to do that pre-moisturizing of my soul.  This painting is an exercise in pure expressionism, a stream of consciousness that reflects some of the subjects I have painted over the last year.   It is a dark story told in passionate calligraphic strokes, intensely personal and mysterious, even to me.  I do not feel primed.  Yet.  I will continue to search through all means, including paint.  I hope you enjoy it.

Candy Dish

This was a fun, challenging little set up.  The dish, an antique from my great grandmother's collection, is a family treasure, despite the fact that it has no real value.  It has a lot of intricate embossed designs, which I choose to barely indicate. I'm finding I have more success in attempting complex designs than in the simple ones because it requires me to switch to my right brain mode and paint only what I see, and less, rather than what I THINK I see. I hope you enjoy it.

Eggplant and Onion

Today's painting of the day is a quick still life study.... took little time but lots of seeing.  I want to simplify my daily paintings so that I can accomplish them in a few hours and not stress over them.  The hardest thing for me is deciding what to paint and I often wanderer around for hours without ever coming up with a suitable composition.  So, instead I am going to throw things up and paint them quickly and see what I can see.  Hope you enjoy it!

Too Little

Kendra 8X10 in oil on canvas panel

I am trying to find something to paint for my daily challenges and I keep reverting to the figure.  It's one thing to paint them well on a larger scale but to bring life to a tiny figure is a tremendous challenge for me.  I am not a master of the delicate brush nor of brevity. My inspiration is Stephen Early (http://www.stephenearly.com). I researched one of his tiny nudes, zoomed in to discern his brilliance of draftsmanship, delicacy, detail and tried to translate it into what I was painting. I started with a bad iPad, photo, fuzzy, poorly lit and I struggled just like every other time I've worked on this scale... I don't know... we'll see.  I might hide it in a day or a week or month. Hope you enjoy it.

Afterthought

I am a portrait painter that doesn't know how to paint anything else!  I can't paint landscape, still life, or any combinations of all three with much success.  Ergo, I always revert to what makes me happy and leave off the schoolin' that I need to become a better painter all around.  So, as much as it bores me, I'm going to pursue a few weeks of still life and see if I can find something to amaze and delight me.... because then I know it will delight you too.  Today's painting is a set up using a candle stick than is so tarnished it's hard to tell if it's silver or brass.  Hope you enjoy it.

Figurative Works

Two of my recent pieces, The Dancer and Eric were chosen for Figurative Works, a juried competition at the Foundry Art Centre in Saint Charles, Missouri.  I was absoLUTELY blown away at the honor of being included in this showing.  There were over two hundred applications and only 46 artists' work was chosen. And the quality was amazing, diverse, and fantastic.  They will be hanging for 5 1/2 more weeks.

My Right Arm

I painted this in response to a call for art that I have chosen to interpret through my own aging. This arm and hand shows just a bit of the wrinkles and arthritis that is beginning to take it's toll. I painted using the grissaille technique and then washed in some layers of color. Hope you enjoy it!

Is it Done Yet?

What do you think?  I love the grissaille underpainting and fully intended to glaze in the skin tones but my sister said I should just leave it as it is.  Soooooo, I'm just putting it out for a day or two to see what ya'll think.  Hope you enjoy it.

I am happy to announce that two of my pieces have been selected for a local show at the Foundry Art Centre in Saint Charles, Missouri.  The show is called Figurative Works and opens this weekend, the reception Friday night.  The two paintings are 'The Dancer' and 'Eric.'  It's such an honor to have anything selected so I am doubly pleased.  If you are in the area, please drop by for this free event from 6-8 PM on Jan. 24, have a glass of wine and some nibblies and check out this great space.

My Hand

I've been in a painting slump.  I started this a couple of weeks ago and was close enough to finishing to sign it but today I did make the final corrections and finished it. It's a tough time of year to be finding inspiration with all of the holiday busy-ness going on. 

This one almost got the better of me.  I did the under painting in grey tones and didn't know where I was going to go with it.  I glazed some of the colors in but wasn't satisfied and ended up painting over the under painting anyway.  But I think it turned out just delightfully.  I hope you enjoy it!

Best Buddies

After I posted this I saw something I could not live with: Chester's eye was too low on his face, making him look like a cow! I also added the halter for contrast. I hope this is better.














I'm not done with my Eye PODs but I thought I'd try something different. This is a portrait of my brother Bud's hands which are caressing the nose of his favorite horse in the whole world.  Bud raised Chester from a foal and these two are best, best buddies. You can see the sublime satisfaction in Chester's eye.  I think the next one in this series will be Bud's expression! I also had to paint this compositions because I discovered, when I cropped the photo, that Bud has my dad's hands (sigh).  Hope you enjoy it.

Friday

I'm just now getting in my studio and it's late afternoon. Having been gone last weekend, I missed cleaning the house and it was starting to really bug me.  I was feeling so tired yesterday, as I mentioned, and the last thing I want is to get anxious or sick of doing my little eye studies so I decided to take the day off and do some housework and shopping and such.  I feel the need to work on a figure painting and I've got just the image in mind.  I think I will do an homage to my favorite figure painter, Stephen Early. Last week, in my figure drawing group at the other studio, I did a nice sketch of Eric (one of my favorite models.)  He was leaning against the wall but resisting it so his muscles were engaged as you can see from the sketch.  I will dabble on it this weekend and maybe paint in earnest on Monday.  Hope you enjoy it!

Eye to Eye

I can't get over the sense that using the iPad is cheating.  Not that artists haven't always used aids to help them achieve the desired accuracy or to simplify the process, as we all know. The camera was developed as a tool for artists.  Lately I've had a much harder time painting from life.  Maybe because I can't get the result I'm seeking, now that I've begun to rely on the aid of my retinal display iPad. But I think it's a two-fold problem: my eyes are weakening and so is my brain.  It's harder to decipher visual elements than it used to be.  In an almost overwhelming task processing the immensity of visual information, my poor ole brain fights it... gets tired quicker.  I just love painting with the display up close to my work, being able to zoom in for the detail that I need.  Maybe I'll just learn to love what I'm doing and leave the purity question for someone else!

Today's POD is my own eye.  Hope you enjoy it!

8 X 10" oil on panel
http://www.dailypaintworks.com/fineart/christy-sawyer/eye-to-eye/153350

Beauty is in the Eye

Today's work is Sarina, the sister of my subject yesterday.  Their eyes are very similar.  This is the first time in this series I've painted an eye with make-up.  I found it challenging.  I'm not entirely pleased with some of the color but not unhappy over all.  I do miss painting wrinkles, though, and I will paint some next.  I don't want to over paint but young skin has to be so much smoother and transparent so I tend to blend more. With wrinkles I can hatch and splotch and dab to my heart's content. I guess I need that to stay fresh and original in this series.  I hope you enjoy it.

Into the Light

Today's painting is of my model/friend, Kendra. The source photo was taken by her daughter, Zinnia.  I tried to keep the lightest lights pure and bright. I worked from a light mauve-tinted panel and I think that helped me keep my vision adjusted to the high values.  I hope you enjoy it!

About Face

I suddenly realized I have only painted left eyes in this series!  So, today I remedy that situation.  This is my son, Ben's, right eye. This eye reflects the world around it, just as his work does. Ben is an amazing illustrator and comic artist.  His 'eye' is fantastic.  He sees what I have never seen.  And he encourages me to pursue this dream of painting.   Ironically, Ben's name means, "son of my right hand." Thanks, Ben, son of my right eye.

What Matters Most

I am so taken by these eyes that I wonder if I'll ever get tired of them.  Of course I will, but think what they have to offer: lots of color, reflections, subtleties, and drama.  Today I started from a darkly stained panel.  I thought I might have really set myself up for failure.  I usually start with a mid-toned canvas or panel so this was intimidating.  What this did was set the tone for the finished painting.  Although this really wasn't a terribly dark photo source, the outcome is very Rembrandt-like, dark and moody.  I hope you enjoy it.

Looking Askance

Something about these extreme close-up paintings make me a little uncomfortable, awkward, shy, almost.  I wonder if it is that the eye, as they say, is the window to the soul.  We all know that it's "impolite to stare."  So we have been taught by our society to avoid the direct gaze, yet, here I have invited the viewer to stare into the almost naked eye.  The skin tones, too, seem vulnerable, as if the viewer has gotten too close, almost behind a facade, to the barest of skin.

So, for today's POD, I've turned the subject (dear old Timmer) aside so that we don't have to look so directly into his soul.  Yet, for all that, it still seems intimate and almost invasive.  Hope you enjoy it.

Going Going.....

My brain is getting lazy but I think part of it is that the eyes are going soft!  I am having such a wonderful time using the iPad to zoom in on my subject and placing it close to my easel.  I have to fight off the desire to say this is 'cheating.' I've been trying to improve my skill in painting from life but this opportunity to work from the  high resolution display of the iPad is just drawing me in! I used my Nikon D40 to take the source photo.  I shot it in RAW format and converted it to TIFF.  It is just a stunning photo on it's own merits.

Here is my POD, once again, of Tim's eye. I hope you enjoy it.

The Eyes Have It!

Tim's Eye  8 X 10" oil on panel

I never knew how absolutely gorgeous the skin around the eyes is.  It has every color of the rainbow.  The thin, delicate tissue underneath the eye is almost translucent, the blood vessels glowing through.  The heavier brow and lid reflects the skin around it or what is in the environment.  The facets of the skin are like diamonds, each wrinkle a jewel by itself.  The eyes have endless variety of colors, too.  I think I am going to like painting them.  This POD is also of Tim's eye.  Hope you enjoy it.